Glenn Gould is absolutely the definitive source in regards to Bach piano music. For me the beauty in Bach's music is the extreme technical expertise, which, like an extraordinary piece of architecture, unveils a perfect geometry and universal perfection that makes our hearts and minds meet in the same exquisite place. But you need an exacting performance to be able to appreciate it.
You just have to listen to a few of the best and listen and listen, and if possible go see some play live, and you'll start to know what you love and what you are looking for. I am a fan of period instruments and technical performances, rather than the more mainstream recordings by someone like Yo Yo Ma.
So some great performances that I personally love:
> Glenn Gould is absolutely the definitive source in regards to Bach's piano music.
I love Gould's performances, but it's worth saying that plenty of good musicians don't, so "definitive" is probably not the best word. So, anyone reading this: If you listen to Gould playing (say) the Well-Tempered Clavier or the Goldberg Variations and find it too mannered or mechanical or can't get past his humming, try Schiff or Richter or Perahia or someone more "mainstream". (And try Gould again later when you're more familiar with the music, just in case your tastes change; what he does, he does very well indeed.)
I will especially vouch for Andras Schiff's recent recording of the Well-Tempered Clavier as an alternative choice. http://www.amazon.com/dp/B008NR8YXC/
I love everything that you said and have no quarrel with any of it. I just thought it worth pointing out that when you say
"if possible go see some play live"
after extolling Glenn Gould, that he would probably advise not going to live performances. Gould thought that live performances were distracting rituals and that music could be much more easily focused on and appreciated through recordings. Personally, although I understand his point, I think the occasional live concert is worthwhile.
I love Gould because of the way he brings out Bach's counterpoint so clearly, especially the inner lines - his playing is a good argument for using the piano to perform Bach's keyboard works rather than something more authentic to the period. As a fan of period instruments, what do you think about that?
I am not a musician the calibre, or even near it, to Gould but I completely, utterly disagree about live music. Maybe he preferred the recording studio, but why would you want to take away live music from the tradition! It's like watching a chef make food on TV instead of being where you should be when it comes to food: in the kitchen and dining room, smelling all the smells.
Edit for those not agreeing: try sitting under or near a grand piano with your eyes closed. Your body experience is completely, utterly different than listening to the same music over even a very good stereo sound system. Being in the same room as an orchestra or even small chamber ensemble gives you a fully physical experience. It's not just your ears being involved, when listening to music.
As far as "classical" music goes, I can definitely live without the synchronized audience coughing between movements. Or the fact that you can only applaud at the end of the piece, no matter that a prior movement might have ended on an energetic forte and the last movement on an introspective pianissimo. Or the upraised eyebrows you inevitably draw if you're under 70.
I have to disagree. When listening to a recording, you hear all the music. A more fitting analogy would be tasting and eating the food without seeing the chef prepare it.
Forgive me for the late reply, but thank you so much for taking the time to answer my questions and make such great recommendations! It's much appreciated.
It gets so personal. Check out this thread just on Violin sonatas: http://www.good-music-guide.com/community/index.php?topic=20...
You just have to listen to a few of the best and listen and listen, and if possible go see some play live, and you'll start to know what you love and what you are looking for. I am a fan of period instruments and technical performances, rather than the more mainstream recordings by someone like Yo Yo Ma.
So some great performances that I personally love:
Anner Bylsma, Cello Suites on a Baroque cello http://www.amazon.com/Bach-Suites-Cello-BWV-1007-1012/dp/B00...
Jordi Savall and Hesperion, The Art of Fugue http://www.amazon.com/Die-Kunst-Fugue-Art/dp/B00005NTKF (I love all their recordings and Savall does a mean Sainte-Colombe)
For Bach's Musical Offering I have a hard time saying which is the best: I have too many favourites. Maybe just hit up Youtube until you find one that grabs you, but try and avoid anything that isn't in HD quality. https://www.youtube.com/results?search_query=Musical+Offerin... Savall does a fine version here: https://www.youtube.com/watch?v=Z4lwV3IMHMQ