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I was really jazzed when this came out. For me, it fell flat. Perhaps it needs a second viewing. Kudos for the use of models instead of cgi for this filmmaker, though -- pretty awesome decision. The results speak for themselves. Striking visuals!



I saw a post-screening Q&A with Duncan Jones and co-creators a few years back and he mentioned that when they were prepping to make Moon, it was around the time of the Hollywood writer's strike, so there were lots of productions on hold, which had the happy side-effect of meaning there were some awesome old-school FX people available to work on Moon.


No kidding! I recall that strike, and had no idea. Thanks for sharing.




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