Egan is the only great Australian science fiction writer I’m aware of. I principally recommend Diaspora for far future post-human history with a strong focus on physics and maths, and Quarantine which is a sort of heist thriller with a unique quantum physics hook in a relatively near future Northern Australia setting where First Nations people have gained independence and positioned themselves as an Asian financial / biotech hub.
Egan’s prose, characterisation and plotting are often weak, but almost every page has a new creative concept.
Big Fan of Egan's short stories. I feel like they are his strongest work and maybe because they can lean more on ideas. Luminous about math grad students discovering some secrets in math is pretty great.
Wang's Carpets which became Diaspora is mind blowing.
Zendegi is an interesting novel by him I never see anyone mention. I enjoyed it and the characters are a bit more developed. It also has a Eliezer Yudkowsky stand in as the big bad guy i seem to recall. Which made me chuckle.
I think of Zendegi quite often when I think about the debates surrounding digital companions, etc. I don't think the book had great commercial success.
I'm a big fan of Egan, having read a few of his books and a bunch of short stories. Personally, Zendegi was the weakest of his books by quite a bit. (Still good, just... not great.)
I’ve liked every Egan book I read but also want to mention Distress. I got shipped it accidentally when I ordered Diaspora and the seller told me to keep it.
It’s set in the “near future” so probably 2020 since it was published in 1998 and does a good job, I think, of talking about things that are happening now- third world empowerment, body augmentation, transgenders, precision pharmacy, biohacking.
And some things we don’t have yet- artificial island nations, self-autists, custom engineered plagues.
I like it because it’s one of those books that stuck with me for describing tech that “we should and one day will have” in that Egan described a “pharm” that compounds medication on the fly to precisely medicate us. For example, it will give you stimulants with your vitamix but have to counter it the next day based on how your body performs. I can’t wait for that and hate having to wait days to adjust meds. I feel similarly about Stephenson’s metaverse description and young lady’s illustrated primer, and nanodrones, and cryptocurrency. And Doctorow’s “comm” device that he described a few years before the iPhone.
Distress also has a short passage explaining the collapse of the collapse of CBDs and inflation of the suburban property market and cost of living due to remote work, set in an area of suburban Sydney that’s now not far off Egan’s predictions. Few hard science fiction authors of recent decades can pull that off, as the 21st century has shown that our 20th century science fiction tropes are either already here (computing and networking revolution, hydrogen bombs, DNA sequencing) or will likely not materialise for centuries (space colonisation, mind uploading). Egan has a talent for speculating about little details of life that illustrate a very different world.
> Egan’s prose, characterisation and plotting are often weak, but almost every page has a new creative concept.
I agree with all of that. I was thinking recently about how Egan compares to Neal Stephenson after some discussion of his (NS) fiction here a few days ago [1]. They both (imo) are weak at characterisation etc. - but to me Egan's work is among some of the best sf I've ever read [1], wheras I find reading Stephenson an ordeal. I think that's down to the depth of the ideas that Egan explores, but I'd be interested in what others think of how he compares to other authors.
IMO, Egan's prose and plotting are not notably bad. Characters are probably his weakest point. Plus, Egan knows when to stop rambling, or rather, he doesn't ramble. As opposed to the other guy.
Diaspora is my favorite Egan book. Permutation City seems to get talked about more, but the dust theory stuff just felt implausible, and it has one of the worst sex scenes I've ever read. Maybe it's because Diaspora is less concerned with anything as abstract as consciousness and more interested in how different forms of life play out, which I find fun when it's done well.
The sex in that sex scene is supposed to be cringingly bad. Supposed to be uncomfortable to read. Did you think it was poorly done, or was it just too uncomfortable-on-purpose?
> Egan’s prose, characterisation and plotting are often weak
I sort of agree, but personally I like the rawness of it. For a similarly unrefined yet intellectually stimulating writing, check out Gregory Benford who used to be a professor of physics.
Egan is prolific and his quality is quite uneven. I loved Permutation City, Diaspora and Dichronauts (although the latter had a weak story). But other books like Scale and Phoresis are downright bad. It's so hard to pick which Egan books to read because often the ones that sound the most interesting are the worst.
Egan’s prose, characterisation and plotting are often weak, but almost every page has a new creative concept.