He does manage (via a cornucopia of namechecks) to implicitly —in addition to the thirteen explicit ways— provide a fourteenth way: by comparing and contrasting each work to its memetic neighbours.
(somewhat like albums and radio DJs used to do, but they, unlike Deresiewicz, usually limit themselves to not only a single medium, but even a single genre)
(somewhat like albums and radio DJs used to do, but they, unlike Deresiewicz, usually limit themselves to not only a single medium, but even a single genre)