I mean a film director and I disagree with your assessment that they have to be savvy in many fields. Many of the directors whose projects I’ve worked on are very much not savvy outside their narrow needs of directing talent and relying on others like the DoP or VFX Supervisor , editors etc to do their job.
In fact most movie productions don’t even have the director involved with story. Many are just directors for hire and assigned by the studio to scripts.
Of course there are exceptions but they are the rarities.
And the big reason directors don’t hit their big strides till later is movies take a long time to make and it’s hard to work your way up there unless you start as an indie darling. But even as an indie, let’s say you start at 20, your film would likely come out by the time you’re 22-24 based on average production times. You’d only be able to do 2 or 3 films by 30, and in many cases would be put on studio assignments till you get enough clout to do what you want. And with that clout comes the ability to hire better people to manage the other aspects of your shoot.
Again, I think this is people prescribing to auteur theory. It takes a huge number of people to pull off a film, and the film director is rarely well versed in most. Much like a CEO, they delegate and give their opinion but few extend beyond that.
For reference I’ve worked on multiple blockbuster films, many superhero projects, some very prestigious directors and many not. The biggest indicator that a director is versed in other domains is if they worked in it to some degree before being a director. That’s where directors like Fincher excel and many others don’t
In fact most movie productions don’t even have the director involved with story. Many are just directors for hire and assigned by the studio to scripts.
Of course there are exceptions but they are the rarities.
And the big reason directors don’t hit their big strides till later is movies take a long time to make and it’s hard to work your way up there unless you start as an indie darling. But even as an indie, let’s say you start at 20, your film would likely come out by the time you’re 22-24 based on average production times. You’d only be able to do 2 or 3 films by 30, and in many cases would be put on studio assignments till you get enough clout to do what you want. And with that clout comes the ability to hire better people to manage the other aspects of your shoot.
Again, I think this is people prescribing to auteur theory. It takes a huge number of people to pull off a film, and the film director is rarely well versed in most. Much like a CEO, they delegate and give their opinion but few extend beyond that.
For reference I’ve worked on multiple blockbuster films, many superhero projects, some very prestigious directors and many not. The biggest indicator that a director is versed in other domains is if they worked in it to some degree before being a director. That’s where directors like Fincher excel and many others don’t