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this paper is the real deal! However it might be a bit tough without context, which this post does decently:

https://medium.com/code-music-noise/euclidean-rhythms-391d87...

(it goes at length into the algorithms, but the intro is well enough; in the end you can hear some examples too)

I second the other post recommending the Tidalcycles music livecoding language, as it uses euclidean rhythms as a base from which you can compose on. Livecoding combined with euclideans is such an interesting musical paradigm that I'd name it as one of the widest musical revelations I had.




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