By this logic killing someone is simply a movement of physical matter from one place to another (knives, bullets), followed by some more movement of physical matter from one place to another (loss of blood/organs etc.)
Things hold more value than simply being a sum of its parts.
How do you figure? I think it's fairly obvious where the distinction is from stealing (the original owner no longer has their property) and copying (the original owner still has their property). The murder analogy you laid out doesn't seem to track with that at all.
Every analogy that has ever been trotted out is way off base.
It's not theft, it's not "piracy," and if we're going to liken it to murder or grand larceny we may as well go all the way with it and call it "terrorism."
No, copyright violation is and always been an act of forgery.
Literally: the act of producing an unauthorized copy of a document, work of art, [etc.].
That's a better word for it perhaps, if you see the act in a negative light.
Even then, doesn't forgery entail presenting the work as if it were an original? It's not quite the same if I make a copy of something where 'originality' doesn't apply and it is a 1:1 duplicate. Maybe NFTs will fix this ;)
> doesn't forgery entail presenting the work as if it were an original?
They do, but here's where analogies become incoherent or inapplicable. Mind that "original" doesn't have to mean "master copy;" many business models (like software) trade in authorized copies.
You don't buy ownership rights to movies-- you're buying limited exhibition rights (do they still put the FBI warning at the beginning of the DVD? I haven't seen one in years). Even when you buy the DVD, you don't really own anything other than a permission slip to show it to a half-dozen people at a time, in your own home.
Thus, making unauthorized copies of a movie amounts to forging new licensing agreements, where future licensees are not accountable to the rightsholder.
Maybe the best analogy would be an NDA-- "we'll show you this movie this one time, but you can't record/copy it and show it to others." Nobody is sympathetic to the lamentations of corporate media lawyers and their contractual disputes, thus, we get lame analogies about stealing your car to try to make their struggles relatable enough to dissuade the behavior.
Making a copy of the work (or data) without compensating the author of that work denies them the remuneration that they should ideally get for putting in the effort to build that work.
Now, you could always make the argument that creation of value only happens when a physical artifact is built, but that would also be a general argument against white collar jobs and make it okay for corporations to not pay a knowledge worker such as a software developer or a technical writer, simply because they provided a copy of their work.
If I'm not willing to pay a creator for their content, it must not have any value to me. Or atleast not what they were asking. So if I copy it, I'm not depriving them of payment for the value they provided really, since I believe the monetary value of it is near $0.
If you have a painting and are asking $1000, and I take it, you lost the $1000 you probably would have made eventually. If I take a look at it, I didn't steal $1000 from you. If I photograph it, I still didn't steal $1000 from you. If I print it out at home and put it on the wall, I still didn't steal $1000 from you.
> If I take a look at it, I didn't steal $1000 from you.
> If I photograph it, I still didn't steal $1000 from you.
This is where the inductive logic breaks down, because you are unlikely to make a perfect substitute (in other words, copy) of the product by simply looking at it, but by photographing it, now you can, which means you have denied compensation to the author of the work by being able to produce a perfect substitute.
> If I'm not willing to pay a creator for their content, it must not have any value to me.
If it doesn't have any value to you, why are you making a copy of it in the first place? :)
A photograph is not a perfect substitute for the painting made by the artist..... It's not on the same medium, and we know it wasn't made by the artist. Or are you implying I can sell a photo of the monalisa for about as much as the original since it's the same?
That’s a narrative about yourself that you tell yourself, and it might be true about you, but it’s not true about everybody. If pirating didn’t exist then some % of pirates WOULD buy more stuff. Unfortunately we don’t have great ways of differentiating people who can’t or won’t from those who would. But many people who would pay also love free stuff, so you can’t conclude takers of free stuff would not pay. And in aggregate this opting for free reduces creator compensation; hence the charges of theft.
That's the problem. A human body is not replicable in the same way that data or text is. The concept of ownership breaks down in the digital world. Storage is cheap, lives aren't.
For murder to be comparable to piracy, it'd have to involve materialising a dead copy of a person who then keeps on living their life, possibly without even being aware. For the most part it'd just be creepy as shit and violating, but fairly harmless past that.
Things hold more value than simply being a sum of its parts.