>For those who don't get it, in the late 90's there was a distinct sense that internet websites might just solve all of the world's problems, and we just hadn't imagined yet how it was going to happen, and most people hadn't really been online yet.
wasn't it more of a parody of those long and elaborate flash intros that websites used to have?
Definitely, but it also addressed something I'm trying to tease-out here.
For people who had never really used computers, and had not been online, the buzz about how the Information Superhighway was going to change everyone's life was enigmatic at best.
This led to all manner of fantasy, and a yearning to make the connection and discover what was going to happen - to be a part of it, to converge - with, or without, a good technical understanding. There's something of this irony in Zombocom.
There's a great 80's Neue Deuetsche Welle song by Paso Doble with which I am practically obsessed, which captures some of the very weird fantastical dream-con-fusion of human and machine, love and logic, flesh and silicon. For the non-tech artists, it was (is?) a rich place to play:
wasn't it more of a parody of those long and elaborate flash intros that websites used to have?