In the UK in the early 90's you couldn't get these for love nor money, not A stock, not B stock, not C stock because of the Rave/Acid house culture taking off (along with the de'rigueur Stanton cartridge), which is why this (https://www.youtube.com/watch?v=A7ZxRs45tTg) will bring back some massive grins for some people! You know who you are! ;)
I'm trying to fetch one. At 1099 EUR it's kinda a steal: only 100 EUR more than a non-anniversary / unlimited one. And the (non limited) used ones anyway can easily go for 800 EUR.
It's not as epic as the 1995 limited run of 5000 gold-plated units (which, I'm sure, are now worth a little fortune so I'll never have one of these), but at 12 000 units that 50th anniversary run looks like a real bargain and the closest I can get to that 1995 collectible one.
I think the MK4's were technically the best on paper but from what I've read they were only sold in Japan. Dont forget things like leaded solder is no longer used today.
I remember buying 2 new SL-1200s for $400 a pop 15 years ago. I have 3 of them collecting dust in my parents basement. Shocked to find out that a pair of new ones will cost over $2k today.
Decades later, and I can still remember all the words on the Isrealites and Skids ads and can't listen to either song without singing along with those words.
Bicep Glue is relatively recent. It's not from the early 90s: people may not realize they're showing images where insane rave parties took place.
FWIW I've got the original version of Bicep Glue in my car as well as a one hour non-stop repetitive loop. I sometimes listen to that when driving. I love it.
What alot of people dont know is its probably MI5 we have to thank for Ecstasy and the US Army. So the US Army rediscovered it and the spooks flooded the country to stop the fighting on the football terraces (no seating back then) as depicted in films like Football factory, but MI5 will deny it as it also spawned the darker side like the film Essex Boys.
I don't know why but yesterday, all the other links opened the videos, but not that one. It kept going to some page saying 'You browser is capable of viewing Youtube' or something like that.
Well since I posted that link to Bicep Glue yesterday, right now its been viewed 10,202 times!
I have noticed for a few years now, sometimes websites are inaccessible with a direct click like in this situation but become accessible when a search engine results link to wherever is clicked on.
As a teenager, I had a modified version of this hanging on my room; someone had added a yawning cat on top of the speaker, and re-captioned it "Tuna Breath."
Back in my day we walked uphill to school both ways in the snow and bought our memes on paper at Spencer's Gifts.
Blown-Away Guy may be the most iconic still image, but I'd say the most iconic moving image with sound was the commercial for Memorex cassette tape with Ella Fitzgerald and the "Is it Live, or is it Memorex?" tagline: https://www.youtube.com/watch?v=KeeuT3ciqpI It was so popular, there were various sequels.
Oh man, the embedded youtube clip of the spot is priceless in the fact that there is an hiss so dominate in the audio just as if I was listening to one of the discussed Maxell tapes! It had me looking for the NR button.
Even with a standard bias tape, with a halfway non shitty deck one could do a little bit better than that though. Linear VHS audio which this clearly is (on an aged tape) has especially bad SNR and response, much worse than a compact cassette. On the other hand, HiFi VHS audio for a time was basically practically the best at home recordable audio format (reel to reel was cool but quite a bit less common).
I’m not sure what speed that tape is running at but I’m going to guess LP, + the effects of age +/- dirty tape heads — someone with too much time on their hands could analyze it and figure it out.
It looks like the original ad was shot on 16mm film.
I'm aware the sound wasn't from a cassette, but it's strikingly ironic to me. Very fitting.
Coincidentally, I used to record a weekend radio show that was on for 6 hours straight on to VHS tape HiFi tracks for playback later without having to flip the cassette.
Indeed, was not ragging on your comment. The opposite… now that cassettes are hipster Hi-Fi these days for some dumb reason. Compact cassettes were a fantastic design and set of engineering compromises for their time - a time that has long passed.
> now that cassettes are hipster Hi-Fi these days for some dumb reason
That's really ridiculous. But when tracking, I like to give artists the choice of various R2R tape formats, as the technology got really very good before it was abandoned[1], and with it comes one of what are really non-linear effects, tape compression or tape saturation, which happen to sound pretty good when properly executed. Some people really love The Beatles production quality and want even thinner, slower tape.
But I know that's not what you were talking about. Analog tape cassettes iirc had 1/8" width of tape for 2 stereo tracks in opposite directions, basically a half-track stereo tape at 1+7/8ips, so effectively 4 slow mono tracks each 1/32" wide. The wider and faster the tape the better fidelity, so even metal cassettes were very poor quality, even compared to most consumer 1/4" R2R, and especially compared to 16-bit CD audio.
[1] Actually, tape was never completely abandoned, as tape formats are still produced and available, and there are even boutique R2R manufacturers, and even the ridiculously expensive profusely audiophile selections are still somehow compelling.[1a][1b]
What’s really ludicrous is that you cannot currently buy a new cassette player with good sound quality. With vinyl, you can buy an excellent new turntable if you’re willing to throw money at it. You cannot do that with casettes. Utterly pointless.
By the time surround sound was brought about in the 80s, Dolby was already a pretty well recognized brand and the Double D symbol associated with noise reduction on audio cassettes. And it's doubtful whether Dolby would have been around to bring Surround sound to market if it weren't for their success with tape NR.
Adults with disposable income introduced to Dolby Surround in the 80s for their home theater were still commonly using audio cassettes (no other recordable medium in the US really took off until CD-Rs - MiniDiscs had a small following, DAT even smaller and DCC failed completely (and probably just as well)) - so it's not even a later generation. However, it wasn't uncommon for a household to have multiple HiFi systems and maybe a Walkman or two - while Dolby Surround and home theater was comparatively less common.
Between cassette and surround sound there wasn’t much brand awareness for people who weren’t around for the era of tapes being popular.
As an 80s baby, I had no clue about Dolby tape technology, they are (to me) surround sound as that was becoming a consumer product around when Twister came out.
Twister the movie? That came out in 1996. You're off by about a decade and a half. Perhaps this is more that 1996 is around the time you were old enough to know/care about these things?
Dolby Surround was always a consumer product (in movie theaters the multichannel/surround system was called Dolby Stereo and was released in 1976) and was released in 1982 as a fully analog 3 to 2 channel down-mixing encoding technique. It was commonly used on VHS and Laserdisc releases throughout the 1980s and 90s. The upgraded Dolby Pro Logic system was released a few years later -- and home receivers with this capability like the Pioneer VSX line were pretty popular sellers in late 80s/90s. By the time Twister came out, Dolby Digital 5.1 aka AC-3 (which is still in common use today) was already in consumer laserdisc releases. Rapid uptake of Dolby Digital coincided with adoption of the DVD a few years later, since Laserdiscs were always a more niche/enthusiast/yuppie product (at least outside Japan).
If you were born in the 80s, yes, Dolby and it's Double D logo was already a well established and recognizable brand on movie credit rolls and movie posters well before you were born.
Yes, 96. As you say DVD caused rapid consumer adoption, so a new generation was learning about Dolby not as a tape tech brand but surround sound. In the 90s people weren’t hyping Dolby tape tech, it was already the standard. This new consumers during that time knew Dolby for surround sound because tapes were old trash tech!
> they are (to me) surround sound as that was becoming a consumer product around when Twister came out.
No, DVD caused rapid consumer adoption specifically of Dolby Digital - which isn’t surprising since DVD was the first widely used digital movie medium in the West, but Dolby surround sound dates to 1976 in theaters and the 1982 as a consumer home video offering so nearly 20 years prior to DVDs. Most major movies throughout the 80s (thousands before Twister) were mixed in surround sound which was the mix available on the home video (ie both VHS and Laserdisc).
>DVD caused rapid consumer adoption specifically of Dolby Digital
I'd agree that clean sound in 5.1 was a selling point, but I'd state the picture quality had more of an immediately noticeable impact than the sound. You didn't need to purchase a new amp and speakers to notice the impact of the image quality. You could plug it into your existing TV and see an immediate difference.
Plenty of other things helped too like the elmination of "Be Kind, Please Rewind".
BTW, you've forgotten to mention THX. The audience is listening!
Dolby B Noise reduction was followed by Dolby C some years later. This was visible in the market first, and very prominent to later users of cassettes in HiFi systems.
I still have a deck that implements Dolby B and C, as well as dbx NR.
I remember paying a lot of money for a tape deck with Dolby C (B was pretty ubiquitous) and being disappointed, like it flattened the music too much. Dolby C reminded me of the Apple ///, it was over-engineered and simply not better than the enormously popular product preceding it.
Was that the actual ad? It's not nearly as impressive is it? It just looks like some random clip of a music video. It just doesn't have the same sense of the commotion is caused by the tape to me.
When i was a kid, we used to call these 'Simpsons moments' referring to the feeling of seeing the parody before the original. As the Simpsons has many cultural references, but is also popular with kids, many of us who grew up watching it had various 'now I get it' moments.
What's interesting is that's it's not obvious that there is a parody or reference at all if one is not familiar. I remember the Simpsons having terminator, 2001, and many other film references that I would have an aha moment years later when i finally understood it.
My memories are very fuzzy but I feel like Maxell tapes lived up to the hype and they were better than the usual dreck I had. I’d put my “good stuff” on any Maxell I could find.
Maxwell may have won the tape print ad war, but TDK definitely buried this TV ad in my brain in the 80's. (I think the singer is Aussie, so I wonder if this was also a global commercial). https://youtu.be/W_cH8Wi0Ggo
The image in the ad is great. But that has to be the worst kerning I've ever seen. It's so bad I'm not even sure it can be considered kerning. Maybe someone just added a few spaces in between "high fidelity" and "tape" for no apparent reason?
My guess is that the image was intended to be displayed as a full-spread advertisement in a magazine, and the extra space in the middle makes the words appear the correct distance apart when viewed on bound pages.
Sticking with an Audiophile theme, I was surprised to learn its 50yrs of the Technic's SL 1200!?! https://www.technics.com/global/home/sl1200/50th-anniversary...
In the UK in the early 90's you couldn't get these for love nor money, not A stock, not B stock, not C stock because of the Rave/Acid house culture taking off (along with the de'rigueur Stanton cartridge), which is why this (https://www.youtube.com/watch?v=A7ZxRs45tTg) will bring back some massive grins for some people! You know who you are! ;)