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> sinks a movie franchise out of spite?

it's not spite. She didn't "sink" it because she was spiteful, she wanted to say something about the films and her work and chose to deconstruct the act of making a sequel to a trilogy after 20 years. It's their art, they can do what they want with it.

Their work since Matrix has always been avant-guard (Cloud Atlas is barely a film in any normal sense, a Speed Racer film by anyone else isn't _that_) they were never coming back to make another stock science-fiction action film.

The real question is, how did Warner green-light the script and release knowing that it was going say all those things.




It was really petty and I lost a lot of respect for her over this. She could have let WB fail on their own (proving what a masterstroke their first movie was), she could have outdone it (proving she's still a master), or she could have given a middling effort. All of which, IMHO, would have been better than intentionally sullying--frankly, ruining--the original piece.

Frankly I hope I can just forget the fourth movie, because I don't want to watch the first movie knowing that Neo ends up a doddering old pilled-up nutter and Trinity's a cookie cutter soccer mom with barely a bike shop. (and of course, that's silly, because they didn't really end up that way, they were put into that way--at great expense--for why again? stupid plot. Stupid, stupid plot.)


> The real question is, how did Warner green-light the script and release knowing that it was going say all those things.

Self depreciation is fine for WB. Half the jokes in the new Space Jam are meta self-depreciation. (not funny jokes, but jokes nonetheless)


The new Space Jam is hands down the worst picture I've ever seen.




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