Frame.io is more of a collaborative review tool and collaborative asset & pipeline tool. It seems potentially quite different from your idea of a collaborative editing tool.
I also pondered starting building a company and tools for filmmaking and bailed out, and I’m glad I did. My background is CG & VFX, so not editing exactly, but talking to people in VFX helped my business partner and I see that VFX software is thin margins, super competitive, and not a good long term strategy in the US.
Anyway, the success of frame.io could still mean your takeaway was correct that editors don’t want many cooks in their personal kitchen, but also that your view of collaborative editing could have been widened into include a broader range of collaborative activity. In some sense, pro filmmaking is almost always highly collaborative already, not with multiple editors, but definitely with multiple people.
Another possibility is that frame.io doesn’t resonate with editors, but does resonate with many other people making films, ads, social media videos, movies, etc. It might not be the editors that are buying it. It also might not be experienced filmmakers buying it either; one problem with interviewing the experts is that they rarely understand the markets for non-experts…
I also pondered starting building a company and tools for filmmaking and bailed out, and I’m glad I did. My background is CG & VFX, so not editing exactly, but talking to people in VFX helped my business partner and I see that VFX software is thin margins, super competitive, and not a good long term strategy in the US.
Anyway, the success of frame.io could still mean your takeaway was correct that editors don’t want many cooks in their personal kitchen, but also that your view of collaborative editing could have been widened into include a broader range of collaborative activity. In some sense, pro filmmaking is almost always highly collaborative already, not with multiple editors, but definitely with multiple people.
Another possibility is that frame.io doesn’t resonate with editors, but does resonate with many other people making films, ads, social media videos, movies, etc. It might not be the editors that are buying it. It also might not be experienced filmmakers buying it either; one problem with interviewing the experts is that they rarely understand the markets for non-experts…