> it's roots took place ... from the black community
> origins from the black community
gotta give credit to the engineers who pioneered electronic music synthesis, like Robert Moog, or the Japanese who created Korg synthesizers in the article.
Influences for any technology, project, art, etc come from a large web of sources. Racial gatekeeping and attribution is close-minded.
And that's OK, there's literally nothing wrong with this. I think there's also a lot of stuff to be said about how there's anecdotes about how the early rave scene had a lot of previously unheard of racial unity going on, stuff like skinhead and rasta gangs or even rival football ultras encountering each other and literally just vibing when they'd be fighting each other before
GP made it seem like whites being a big part of current techno scene is bad.
> The first stuff anyone started calling techno was pretty black
you could say the first stuff anyone started calling electronic music was pretty white. point is, racial attribution for something that has a huge array of influences is silly.
> GP made it seem like whites being a big part of current techno scene is bad.
I don't see that; I don't see any "guilt", using your word. Can you point it out? People have other motives.
My impression is that you brought your own (reactionary?) bias to it, using a reactionary talking point whether it really applies or not. Why bring down someone who is trying to expand their experiences, knowledge, and community, in a world where racism is common and leads to many people being excluded. We should work to include - that's great, creative, positive; there's no reason it needs to be motivated by guilt.
This article is about techno specifically, not electronic music. There's a lot of electronic music that has nothing to do with techno - techno is a genre, like chiptune, trance or dubstep.
> As part of Beatportal’s new series on the history of electronic dance music, Marcus Barnes explores the rich history of techno, from the 1970s right through to today.
oh i don't feel any guilt at all. I was interpreting OPs motive for changing their behavior, and why they felt the need to communicate it as if it were a noble act.
> its prodimently white. I have since taken active steps to seek out the lesser know black artists to support
I couldn't care less who the specific artist is for techno music i listen to.
> origins from the black community
gotta give credit to the engineers who pioneered electronic music synthesis, like Robert Moog, or the Japanese who created Korg synthesizers in the article.
Influences for any technology, project, art, etc come from a large web of sources. Racial gatekeeping and attribution is close-minded.
Let the people enjoy techno without guilt.