Analog photography you could at least use E-6. Processing was tightly controlled and standardized, and once processed, you had an image.
The nice thing about this was that you could hand the E-6 off to a magazine and end up with a photograph printed in the magazine that was very close to the original film. Any color shifts or changes in contrast you could see just with your eyes. You could drop the film in a scanner and visually confirm that the scan looks identical to the original. (You cannot do this with C-41.)
This was not used for forensic photography, though. The point of using E-6 was for the photographer to make artistic decisions and capture them on film, so they can get back to taking photos. My understanding is that crime scene photography was largely C-41, once it was relatively cheap.
The nice thing about this was that you could hand the E-6 off to a magazine and end up with a photograph printed in the magazine that was very close to the original film. Any color shifts or changes in contrast you could see just with your eyes. You could drop the film in a scanner and visually confirm that the scan looks identical to the original. (You cannot do this with C-41.)
This was not used for forensic photography, though. The point of using E-6 was for the photographer to make artistic decisions and capture them on film, so they can get back to taking photos. My understanding is that crime scene photography was largely C-41, once it was relatively cheap.