Same here. Wonderful playlists. Constant exposure to new music. This discussion seemed to get people in the mood for the airing of grievances, so here we are.
Just a couple of months ago Spotify temporarily blocked playlist exporting and there was an uproar. And it turned out that a lot of the uproar was about those Spotify automagically created playlists. Read some sentiments, coupled with some Apple Music comparative opinions, here-
I guess it just turns out that maybe Spotify isn't for all people. Nor is Apple Music. Some discussions just draw out the edges from whatever side and it becomes the narrative.
If I remember correctly, they blocked API access for one user because that user was violating the API usage terms, namely exporting Spotify's content (their playlists) to competing services. I actually though that was pretty reasonable of them.
I wasn't aware that playlists can be copyrighted. And what's the difference between someone mechanically scraping playlists (because, quite frankly, spotify alter their playlists all the time -- I've experienced this with the Soul playlists they have), and someone hiring people via mechanical turk or getting 3 other people together to make text-based lists?
> I wasn't aware that playlists can be copyrighted.
I Am Not A Lawyer, but "a curated collection of units-of-art" seems like a very reasonable thing to protect access to, independently of ownership of the actual units-of-art themselves (overly-generic terminology is intentional, since although we're discussing playlists here, the same argument could be made for, for instance, "a particular framing/hanging of visual arts")
> And what's the difference between someone mechanically scraping playlists [...], and someone hiring people via mechanical turk or getting 3 other people together to make text-based lists?
What type of difference are you interested in?
* Effective difference in terms of output? None.
* Spotify's desire to prevent people from doing so? None (they would want to provide both - and justifiably so, IMO, since, again, the playlist _itself_ is their own (algorithm's) creation).
* Likelihood of evading prevention? The MTurk solution is less likely to get shut down, for sure. That doesn't mean that you have magically gotcha'd copyright and that corporation will cease trying to protect their IP, it just means that you have found the next step in the arms race.
> I Am Not A Lawyer, but "a curated collection of units-of-art" seems like a very reasonable thing to protect access to
I'm going to need a citation on playlists specifically being protected under copyright. I'm not sure how you can claim that what is effectually a simple plaintext list of things can be copyrighted. What original content there is being put under copyright?
As you already stated, they do not alter the music itself in the way that a rearrangement would, most media players provide fade-in/out functionality so they cannot claim that is unique, and they do not provide any supplimentary content to enhance the experience, at least not in the same way that a book published list, or internet top ten list would ordinarily provide some kind of commentary on the items.
What you're claiming here is effectually that, not even the content, but the mere titles of every single "top 50 foos" list on the internet can be copyrighted. Or that the rearranging of a book's chapters without any change to the contents, can itself fall under copyright
I'm not sure how anyone could think that this is at all a reasonable position to have? It's baffling, to be quite honest.
> I'm going to need a citation on playlists specifically being protected under copyright
And I'm not going to give you one, because, as I said, I Am Not A Lawyer (and even if I was, you're not paying me to be). But, regardless, note that I made no reference to copyright whatsoever - I said "this seems like a very reasonable thing to protect access to". I'm making no reference to law whatsoever - just to what _I_ think is reasonable for a corporation to protect. You are free to disagree.
> they do not provide any supplimentary content to enhance the experience, at least not in the same way that a book published list, or internet top ten list would ordinarily provide some kind of commentary on the items.
The collection _is_ the supplementary content. If a Spotify playlist was a quasi-random collection of tracks from across the entire catalogue, then you'd be right, but they're not - the playlists are curated and specifically chosen to fit some niche (genre, artist-relation, time period, etc.). By virtue of _being in a playlist called_ (e.g.) "1940's Smooth Jazz", the songs are demarcated as being a) relevant to the particular criteria, and b) of a high-enough "quality" (whatever that means) that they have been chosen. So, yes, the plaintext-listing of those song titles _would_ have some value, just like a list of "(only the titles of the) top ten sci-fi novels of 2019" would have some value. I would, for instance, value such a list more-highly if it came from someone whose taste in sci-fi I respect and resonate with.
> What you're claiming here is effectually that, not even the content, but the mere titles of every single "top 50 foos" list on the internet can be copyrighted
Again, I'm intentionally _not_ touching on issues of copyright as legal status - but, yes, I am absolutely suggesting that someone who has gone to the effort of curating a "top 50 foos" list, _and_ of associating it with a powerful taste-making brand like Spotify's, would be justified in perceiving that list _itself_ as a valuable and protection-worthy creation.
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After the cut because it's less relevant to the discussion, but:
> that the rearranging of a book's chapters without any change to the contents, can itself fall under copyright
I mean...if you _don't_ see how it could be possible for someone to remix the content of an existing artwork into a conceptually-new work, by making statements _with_ the playing-with-form, then I think we're just looking at art from fundamentally different perspectives and are never going to agree. If you truly _do_ want to understand my perspective, you might try thinking about how the consumption of art is affect by the context of how it is consumed and presented, not just the sequence of bytes/soundwaves/visual-elements that compose it.
+1 for the general fantasticness. I use the app on my iphone - no problems whatsoever. They even recently updated their watch app to stream directly (without the phone being nearby). Apple music has had this feature for a while.
Just as a counter point.