But who goes into being an RIAA lawyer position thinking it’s going to be good at first? You have to have believed in the RIAA’s stance from the get-go because it hasn’t really changed.
I was at the Grammy’s one year and at the industry lunch the day before, I wound up at a table with a bunch of lawyers for the labels and the RIAA. It was an interesting position for me to be in, as someone who has been quite critical vocally of their positions and tactics since I was a teenager.
Anyway, everyone was cordial and professional and we didn’t really get into debate too much — and I was clearly the odd woman out, not a lawyer or in agreement with their position — but I walked away from the lunch with the belief that at least most of them absolutely believe they are fighting against what they see as abuse against copyright and ownership and that they see themselves as protectors of the industry, and to a lesser extent, artists. Now, I disagree that their tactics really succeed and would argue that ignoring the push of technology has hurt the music industry and especially artists, but I also accept that it is valid for people to have a completely different view from me. And it’s important to be exposed to that on occasion.
I’ll also say, as I was waiting for my Uber to take me to my next meeting, I saw valet bringing out $200,000 cars for many of the people I had politely been debating with earlier. I’m sure the money doesn’t hurt.
Not unlike my friends who work for tech giants that many of us find abhorrent but get $400,000 in stock grants a year.
Yep. You’ll often find there is nuance to these debates and people will justify their side by blowing the upsides out of proportion and minimizing the downsides.
They’re rent-seeking, and probably view themselves as necessary redistributors of wealth, like landlords, but for copyright enforcement and expansion instead of housing.
