That's exactly Gibsons take on it which is why he wrote a book like Pattern Recognition which interestingly enough is much less dystopian than his first three books.
These days cyberpunk seems to be more about transhumanism and posthumanism ala Charles Stross books "Accellerando" & "Singularity Sky".
Cyberpunk (in written SF) died around the time "Vincent Omniaveritas" folded his zine Cheap Truth in 1986 (which you can find an archive of here: http://www.its.caltech.edu/~erich/cheaptruth/ ) ... by 1992, when Bantam Spectra published Neal Stephenson's "Snow Crash" it had descended into self-parody (hint: a heroic central character called Hiro Protagonist? Try saying that aloud).
Transhumanism/posthumanism was big in the 1990s -- Vernor Vinge coughed up the hairball that is the singularity in the mid-1980s and Hans Moravec of CMU popularized it and spread the fertile soil for the early 1990s transhumanists, who also hybridized with libertarians and cypherpunks by way of the extropians mailing list circa 1990-95. But again, by the time you get to the late 1990s folks like Ray Kurzweil were bandwagoning on it, and these days that, too, is ancient history.
"Accelerando" was written circa 1998-2003, and "Singularity Sky" -- not its original title, but one dropped on it by the publisher in search of teh sexxy -- in 1996-98. If you're pointing to them as signs of where SF is at, I'll just get my coat -- because SF is dead.
The reason why I wrote what I wrote was that I seem to remember Gibson in an interview himself pointed to some of this stuff as someone who could think further than he could think.
Maybe I misunderstood. Didn't mean to insult your, by the way, great work.
These days cyberpunk seems to be more about transhumanism and posthumanism ala Charles Stross books "Accellerando" & "Singularity Sky".