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Same goes with SiMa Yi and ZhuGe Liang, at least from the TV show "JunShiLianMeng"(Alliance of Strategists). The famous SanGuo Yanyi story - KongChengJi (Ruse of the Empty City). SiMa Yi did not enter the city even though he know ZhuGe Liang was bluffing, and ZhuGe Liang knew that he knew. Strategically, if SiMa Yi kills ZhuGe Liang, he would won the war against Han, and CaoCao would have no use for a powerful strategist who has won people's heart - SiMa Yi would surely be killed. It's a great modern TV show.



First of all, the popular empty-city story is made up by the author of "Romance of Three Kingdom." It actually was Zhao Yan, a general in the same faction as ZhuGe Liang, who pretended to have an empty fortress and repelled an attack. Needless to say, there is no truth whatsoever to alternative "truth" that drama speculated.

Second, by the time Sima Yi commanded a large field army, Cao Cao had died for a long time. Sima Yi represented powerful large land-owners who would gain monopoly on official positions during Cao Pi's reign, Cao Cao's son. It is a recipe for weakening imperial authority and endangering emperors. Historians argue that Cao Cao passed up the chance to become emperor because he would not countenance such policy.

Third, that TV show is like so much of Chinese TV that is a wasteland. It is melodramatic, ludicrous, and laughably bad acting. I am sorry, but it is unwatchable, not just the show, even the trailer. Compare the stylized combat and bloodletting to the realism of "Game of Throne" (yes, I am ware of the irony of calling historical drama fake and fantasy real); there is no comparison. Nothing there is believable, much like every word out of CCP's mouth. It is sad, really.


It is bad on many levels - inconsistent camera positioning is a rookie mistake and is wearing on the viewer, and much of the exposition is painfully heavy-handed, while much (most?) of the dialog is propagandistic.

On the other hand, GoT does the same sort of thing in reverse; technical polish and a realistic aesthetic are the vehicle for a different set of propositions about how the world works. One genre uses fantastical formalism while another relies on fantastical plots.

It's interesting to contrast these two with more subversive explorations of the same forms, like Shadow and Watchmen (the movie; I haven't seen the TV reimagining yet though people seem to be raving about it).


I knew what you said just FYI. I wouldn't treat the book or show too seriously... it's just entertainment, not history.

The show's main character is SiMa Yi, which is kind of new to me. It's like a retold of "Romance of Three Kingdom" from a SiMa family and Cao family perspective. Though I hated a lot of Chinese TV shows, this one I actually like and would recommend. I can't remember any combat in this show though, probably fairly average. I wouldn't compare it to Game of Thrones, maybe House of Cards is a closer genre.


Sorry if I come across a bit strong. I am a something of a history buff, and the liberty that some Chinese historical shows take is shocking to me. I am like you, curious about different interpretations of familiar events.


I know it's just fyi. I understand the frustration that one of your favorite parts of history is being stumped on by bad TV shows. Any kind of "YanYi" is pretty just entertainment show. Some are not too bad, some are just aweful. In recent years, these bad shows are just getting worse. I think "JunShiLiangMeng" is better than most. Characters looked normal rather than hair-dyed XiaoXianRou with no facial expressions.


The fable of the scorpion and the frog is also unreal. Yet you can learn something from it.

PS: And yes, good catch. Cao cao actually wasn't emperor officially. His son became emperor. Totally forgot that point for some reason.


And of course, my other favorite Zhuge Liang story is when he passed away, and there was the Battle of Wuzhang Plains:

"A dead Zhuge scares away a living Zhongda (Sima Yi)."

https://en.wikipedia.org/wiki/Battle_of_Wuzhang_Plains

Then of course there's the gathering of arrows, but there are too many good stories to talk about. Just look in one of my brocade sacks, each has a useful story! (Chapter 54)




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