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Breaking Bad is not a great example, because the show was created with a defined length that fit the narrative. It had a certain beginning and and end in mind before it became a show. The studio wanted it to run longer, but the owners of the show said no.

The only major departure from Breaking Bad on paper and Breaking Bad in reality was Jesse Pinkman. He was originally only to be a bit character in one episode, but the showrunners liked Aaron Paul so much that he became a part of, and changed the tenor of the whole show.




The creators of Lost claimed they new exactly how that series was going to go, but watching it definitely felt like they were stringing things along to get to the 100 episode syndication threshold more than telling a fulfilling story.

I've been enjoying the limited-series shows, or shows that do not attempt to correlate multiple seasons together like Fargo. The first season of True Detective was done in the right number of episodes to get the story told without stringing it along. The studios forced a rushed second season that I pretend doesn't exist. HBO's Sharp Objects is another example of using just enough episodes to tell the story.


> Breaking Bad is not a great example, because the show was created with a defined length that fit the narrative.

Is that really true? Do you have a source? From what I’ve read, Gilligan only said that as they reached Season 5. The studios didn’t know that it will be 5 seasons. maybe Gilligan had the idea in his mind since the beginning but that’s what I’m trying to say. Studios should only green light shows with a predefined length. And of course they knew the narrative. You could stretch the narrative to 10 seasons or keep it at 2. Which is the point. Keep it short.




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