First of all, it is getting absurdly easy to find useful feedback. For every topic you might discuss, for every skill you might learn, there's at least one discussion forum, and in each of those forums there are intense, even competitive practitioners of the involved art who will tear you apart if you aren't working up to standard. Sometimes this is done in bad faith, but on the whole, that part of the "creative loop" is the best it's ever been. The main factor that holds people back from any creative endeavor is motivation. When hanging out with friends the motivation problem becomes a major factor; our likelihood of engagement and satisfaction is a lot higher when we get together to _create_ rather than to _consume_. But we have to get ourselves pumped up to do something creative, and engagement is difficult because everyone involved has to pierce through the BS and fragile esteem that turns arbitrary activities into "hard work" or "way over my head."
My second point is that by losing the work environments in the "heavy" industries, the USA will be deprived of creatives in those fields - but that doesn't necessarily mean we lose out on creatives. Look at Richard Florida's books on the "Creative Class" - one of the points he argues is that our major cities are getting increasingly "peaky" as the creative people in each industry pool together more and more closely. We already have some creative powerhouses(NY, LA, SV to name a few), and there is no reason for them to decline anytime soon. Where we still have industries involving physical goods and high capital requirements, intense pressure exists to take a high-tech approach and automate everything rather than battle to get cheap labor. For example, think of what Amazon is doing with shipping. That stuff requires a lot of creative know-how, and in the coming years we're probably going to see similar approaches taken in a lot of industries that are traditionally "people services."
> But we have to get ourselves pumped up to do something creative, and engagement is difficult because everyone involved has to pierce through the BS and fragile esteem that turns arbitrary activities into "hard work" or "way over my head."
...and plain ol' laziness. I wrestle with this all the time -- it's quite hard to force myself to work on a project, or read a book, or pick up a pencil and try drawing again for the first time in decades, when I can instead pick up my laptop and browse HN for a while.
This problem is compounded by living vicariously: I can read about other people being creative, and that's fun.
Eventually I get to a point -- usually at the end of the day -- where I feel compelled to make, fix, or build something, but I should have been doing that all day anyway (and waiting until the end of the day is not optimal).
Actually it's tied to the crisis at NASA, and to a larger extent the country. I don't know why people are afraid of confronting an issue like this. It's as if by ignoring it and saying our institutions are ok, things will work themselves out on their own. No.
First of all, it is getting absurdly easy to find useful feedback. For every topic you might discuss, for every skill you might learn, there's at least one discussion forum, and in each of those forums there are intense, even competitive practitioners of the involved art who will tear you apart if you aren't working up to standard. Sometimes this is done in bad faith, but on the whole, that part of the "creative loop" is the best it's ever been. The main factor that holds people back from any creative endeavor is motivation. When hanging out with friends the motivation problem becomes a major factor; our likelihood of engagement and satisfaction is a lot higher when we get together to _create_ rather than to _consume_. But we have to get ourselves pumped up to do something creative, and engagement is difficult because everyone involved has to pierce through the BS and fragile esteem that turns arbitrary activities into "hard work" or "way over my head."
My second point is that by losing the work environments in the "heavy" industries, the USA will be deprived of creatives in those fields - but that doesn't necessarily mean we lose out on creatives. Look at Richard Florida's books on the "Creative Class" - one of the points he argues is that our major cities are getting increasingly "peaky" as the creative people in each industry pool together more and more closely. We already have some creative powerhouses(NY, LA, SV to name a few), and there is no reason for them to decline anytime soon. Where we still have industries involving physical goods and high capital requirements, intense pressure exists to take a high-tech approach and automate everything rather than battle to get cheap labor. For example, think of what Amazon is doing with shipping. That stuff requires a lot of creative know-how, and in the coming years we're probably going to see similar approaches taken in a lot of industries that are traditionally "people services."