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The water was certainly incredible when I saw the movie. The cinematography was pretty nice all around.



To be pedantic, it's not cinematography.

Cinematography is the science or art of motion-picture photography by recording light or other electromagnetic radiation, either electronically by means of an image sensor, or chemically by means of a light-sensitive material such as film stock.


perhaps it was when that was the only way we could create films

I'd call it the art of deciding the movement/placement/focus of the camera, regardless of whether it's a physical camera or a software one. A scene from a different perspective is not as powerful, after all; thus the regard for cinematography.


It's definitely an Art form, but if you look in IMDB, there's no cinematographer listed. That function is "visual effects".


  Rob Dressel      ...  director of cinematography: layout
  Adolph Lusinsky  ...  director of cinematography: lighting


Awesome, go Rob! (Historically cinematography in animation tended to be called simply "layout")


As smhost pointed out, this is simply a false statement.

In case others would like to verify, the full credits on IMDB are here: http://www.imdb.com/title/tt3521164/fullcredits?ref_=tt_ov_s...

There are two cinematographer credits listed for the movie.


Disney uses a difference organizational design to produce animated films, including going all the way back to the days when they were shot on film with real cameras. The lack of a "cinematographer" title in IMDB for the film has nothing to do with the technology and everything to do with the organization of the team.


take Rango (2011) for example.

     Roger Deakins	...	(cinematography consultant)
     Mike Sanders	...	virtual cinematography
Deakins worked with the team to determine camera angles, lighting placement, and framing, among other things. They paired an old school film cinematographer with a digital effects supervisor, and the output of their work is what anyone should call cinematography.




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