You're absolutely right, I'd hoped that was my implication. ;)
Funny story though, speaking of renaissance art- I was doing research for my Master's thesis on computer graphics, and got direct access to several books from the 1700s that outlined the geometry of perspective projection as well as the geometry of shadows. (My thesis was about rendering shadows.) They were hand-written tomes, with very ornate covers and bindings and hand-drawn diagrams. The books weren't allowed to leave, but they had a special reading room for them, with archive-safe lead weights to hold the pages down so I wouldn't spread my damaging finger oils everywhere. I was taking some digital photos, and at one point I forgot about the lead weights and turned the page. It tore a little bit, and I was completely mortified!
Are you by any chance comfortable with sharing your thesis here (if you still have it around)? It sounds interesting. I would have asked via email if I had known where to send it!
This is old now, and modern techniques have mostly surpassed it, but the basic idea was to combine single-sample ray casting for finding occluders probabilistically with an image-plane flood-fill using analytic methods to render the shadows. It's a way to only pay for accurate shadow calculations where shadows actually exist, and skip the shadow calculations in all the un-occluded areas.
I would say long before computers existed. Perspective projection was the key algorithm of renaissance art!