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I make a living writing software that's hosted on Windows. I've never felt as comfortable with the command line options on Windows as I do with macos/Linux. Git bash with vim was such a relief.

It's an idiosyncratic mix of ergonomics and habit probably. I don't really care since I get the job done efficiently (more so than a lot of "Windows natives" I observe).


In my experience, it really does come down to the ergonomics: the cursor, the casing, the forward slashes, whatever key combo is required to paste (shift+insert?).

I'm sure PowerShell and friends are great but it's enough of a shift to not be worth the learning curve if it's an environment you're just dipping into to do the bare minimum required to make something work.


Been filling notebooks for years while also keeping pretty meticulous digital notes. Physical is mostly personal or ideas (sometimes for work). Digital is mostly work.

I like to doodle and draw alongside note-taking and there's no substitute for analog there IMO. Plus, being able to write and not be on a device after a long day at work is a relief.

Lack of search can be an issue. But then I sometimes create indexes to things like book notes or stuff I'm learning and that is a pleasure in itself.

Also pairs well with a fountain pen & ink hobby.


Technical debt and “feature debt”?

I imagine some people would object to things being taken out or significantly altered. An existing & happy (?) user base probably carry weight.


I recommend the book “why we sleep”. It helps (helped me) understand some of the fundamentals of sleep and why it matters


Not sure that day/night matters but an essential element is the cycles you experience during extended sleep. Naps won’t make up for that.

Night is probably most realistic because of light/noise factors


The Billy Ireland Cartoon Library and Museum is a fantastic place.

I was on a backstage tour a few years ago and seeing early 20th century cartoons at original size was such a treat.


Did your cat tell you its name?


> Lily Jamali: So you call this “Cerebral Valley,” is that right? > ... > Jamali: Got it. What does that mean, that term? > > Tan: Well, I think it’s a play on really the brain,...

The things people say.


I'm holding on to two x230s as backups (only need one, happen to have two).

Great little machine, still enjoy it for basic hacking and writing once in a while.


Some “artists” I know are scraping by on work that could be eaten by generative AI. Even if they don’t self identify as “illustrators”.


We can argue all day about the definition of Artist. My point is that for artists, painters, sculptors, etc. that show their work in galleries and museums, generative AI will have about as much effect as digital art: a little, but not much.


Maybe in the short term. In the longer term, who is going to bother developing these skills? Not everyone “hits a home run” and is successful in galleries and museums, but there have always been fallback options like commercial illustration. If those options are gone, then it’s either 1) be good/lucky enough to succeed in galleries/museums 2) starve or 3) be independently wealthy before becoming an artist.


I mean, the vast majority of artists operating in the gallery system are not moonlighting as commercial artists. It’s an entirely different skill set.

I encourage you to check out the work at museums and galleries in whichever city you live in. It should be immediately obvious that these aren’t really skills that transfer to Photoshop and blog post images.


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