The "what is worth expressing" is where creativity happens. Technique makes you a competent hack. It's not enough for originality. So it's misleading to think it's all art. Technique and originality are different skills. The best artists have lots of both, but they're not related skills.
Thank you for linking to that gallery! It's very eye-opening. I dutifully went through several pages, trying to find something non-boring, and it was indeed all boring (with the exception of Bruegel, who shouldn't be in there).
Interestingly, I feel the same way about many works on ArtStation [1]. The artists try to draw something "cool", like a fantasy creature, but end up with just a basic picture of a human with lots of greebles [2]. Lack of imagination is very obvious.
At the other end of the spectrum for me is something like Wayne Barlowe's "Wargate" [3], an image with a whole new visual language for what it's trying to say, or Paul Veer's pixel art for Nuclear Throne [4], with very simple technique but very imaginative character designs. Apologies if my taste is pedestrian :-)
Interesting litmus test indeed! Some were boring to me, some really interesting -- Monet's painting of a winter day on that page arrested me (and I didn't even identify it as Monet right away) because the way the light came down and reflected off the snow and the clouds was just... amazing. So few artists paint light well. And I noticed myself drawn over and over again to the featured paintings of Galien-Laloue. I like the light again. Bierstadt's paintings are always a little over-the-top but if you can get really close to an original the details are amazing and make you wonder about the time and the tiny people. The paintings of architecture do rather bore me.
My criterion for whether something is art is whether it changes how I see the world. I guess something like Wayne Barlowe's "Wargate" (referenced in a sibling post) doesn't change how I see the world. It's too far removed from my life. But the light in Monet's winter day...
Ok, I'll bite. I found these fascinating. You could live in every one of them, it feels like I'm transported to different times and places, wondering what these people are up to, what's going on, enjoying the sunshine / snow / rain / rough seas. In a word, interesting.
The divided opinions on this gallery are revealing. I can see why someone would find these works excruciatingly boring, in that they are all essentially photographs with no variety in artist's intent or 'method of art' for lack of a better term. But looking at them less abstractly, there is a rich variety of scenes depicted which are skilfully created enough to merit closer observation. I think the parent discovered a really useful litmus test for how someone approaches art.
I think that's all true. Escher's art is accessible, it has very fine technical control, superficially it's a one trick pony.
Isn't real art messy? Escher isn't messy.
But it's one hell of a trick. The math is more complicated than it looks, the draughtsmanship is incredible, and there's real mood and atmosphere.
I wouldn't say it's ugly or revolting. I would say it's unique. It's a new visual language, and no one has ever copied it successfully.
But I could be biased. I'm an artist, I work with code and math, and I can appreciate the technique and the content.
Artists who hate code and math probably don't get it at all. If all they see is some monks climbing an infinite staircase then yeah - that's going to seem gimmicky and boring.
It reminds of a conversation R.P. Feynman had with an artist friend that goes like Artist:"When I see a flower, I see beauty; you scientists pick it apart, examine meticulously and it ceases being so beautiful.", while it seemed Feynman had a hard time explaining that he saw other, (sometimes) more profound beauties, not just the one arising from it's color and immediate looks. It's probably because the artist didn't even know what he was missing, so the discussion is very asymmetrical in a way.
The art world is a social game played by rich people who want valuable objects. Art is used as a store of value and conspicuous wealth, and to show that the owner is someone who can afford to pay for an artist's time.
You can't do that with a digital file that can be reprinted and copied ad lib.
But you can try. There's a new project which uses the blockchain to deal with the issue of provenance, so that art world people can be sure that their copy of a digital file is the valuable one that matters.
This is useless madness. It's using a 21st century technology to solve a 19th century problem. But it's run by art world people who used to work at big auction houses, and they're not thinking about art like normal people do.
https://www.flickr.com/photos/7474079@N02/
Boring isn't it? (Interesting as history maybe?)
The "what is worth expressing" is where creativity happens. Technique makes you a competent hack. It's not enough for originality. So it's misleading to think it's all art. Technique and originality are different skills. The best artists have lots of both, but they're not related skills.
(Software has the same problem.)