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Thank you Captain Pedantic. HN threads won't be the same without nitpicking and pedantry. I think by "ambient" you mean piped music, elevator music, Muzak(tm). Because Eno ain't no elevator music.



>Because Eno ain't no elevator music.

In keeping with the pedantic nitpicking, I think Eno might actually disagree and say that his music could be elevator music. In the liner notes[0] for 'Ambient 1: Music for Airports', he writes that "Ambient Music must be able to accomodate many levels of listening attention without enforcing one in particular; it must be as ignorable as it is interesting."

But, speaking for myself, I wouldn't relegate Eno's music to the elevator. :)

[0]https://audioweb.sitehost.iu.edu/T369/eno-ambient.pdf


Touché. Eno could be elevator music then.


Pedant's point: Eno's music could be played in an elevator. Eno is not elevator music.


What elevators are you guys getting on that have music?



Rene Magritte duck typing


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Completely off topic: Music for Airports is a great album.


It's funny. My favorite band, Devo, released Muzak mixes of their songs several times in the 80s. However, you would never hear such a thing piped in a store in 2020. Plain vanilla "Whip It" though? Absolutely.

Said another way, Eno (and Devo and many others) are essentially the Muzak of the modern day.


Devo was a bunch of brilliant, genre-defying creatives. In my point of view they have been as influential as Kraftwerk, but don't get as much love and respect.


Eric Satie invented the form, composing music to leave the theatre to. He's said to have got very angry when people refused to leave.




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